Byzantine and Gregorian Chant are ancient church forms of worshiping, cantoring, and singing the Scriptures. For most people their encounter this kind of music is video games as in The Temple of Time in The Legend of Zelda: Ocarina of Time and the Halo Video Games Theme and The Maw opening. That was were I first heard Gregorian Chant, and I found it made my soul soar. Only later in Music Composition and Appreciation did I know it had a name, and did I begin my journey to discovering a music steeped in tradition of the Church. Byzantine Chant is older, in fact, some traditions go back close to the time of the Apostles! The Jerusalem Cantors in particular have an ancient style. Byzantine tends to differ in its monophonic sound, in that one of cantors is constant, like the Bass in a band, continuing to sing a key, while the other cantors join in singing the chorus. Gregorian tends to differ in that it has multiple cantors singing the chorus, and there is a instrument in background like
Joan of Arc has long been a fascinating of mine. If you check, my first blog post was about the Saint who saved France. What is it about the Holy Maid that captivates us? She captures the imagination of Catholics, Protestants, and even Atheists like George Bernard Shaw who wrote a play about her and Mark Twain who wrote a book about her. How does this Dame (female Knight) from Domrémy deeply connect with so many people of varying backgrounds and even faiths? I believe the answer is suffering. Joan of Arc shares a tragic fate that The Knights Templar did, that Martin Luther did, and that even Jesus Christ did. All of them have in common mock trials, where they were imprisoned, and those trying them had the intent to destroy them. What makes Joan stand out is she was a woman. And not just any woman, a woman that had lead forces of Dauphin to victory and even gotten him crowned, who had saved France from becoming New Burgundy and New England. And most of all, she did this dressed as a man